If Netflix and other major streaming services reduce or stop investing in original Nollywood productions, the impact will be significant, but not necessarily fatal. Nollywood would still be able to make quality movies, but with caveats.
Nollywood has always been known for its resourcefulness, creating compelling stories with limited budgets. The streaming era simply boosted access to better cameras, sound, sets, and global exposure. If that external funding dries up, the industry will likely revert to a hybrid model.
Some films would be made on shoestring budgets as before. Others, backed by top Nigerian studios or independent investors who can still meet global standards.
Impact of Netflix & Streamer Exit
Loss of funding and international exposure. Netflix and Amazon gave Nollywood bigger budgets and global distribution. Without that support, newcomers and mid-tier producers may struggle.
There are fewer and fewer movies made with high budgets as quality reveals, and the $500k–$1 million movie budgets appear to be declining. Lavish set designs, international locations, and large casts will become rare.
What Should Be Expected Next?
Expect stronger scripts, more character-driven plots. Budget constraints often force filmmakers to innovate.
There will be less fantasy, epic like Anikulapo, and crime thrillers, which are expensive. Dramas, romantic comedies, thrillers, and slice-of-life stories will populate the Nollywood library globally.
Local streamers like IrokoTV will regain their relevance, and more producers will utilize Showmax or YouTube channels. New platforms like Kava will rise. Studios may self-distribute and build audiences directly.
EbonyLife, Inkblot, FilmOne, Anthill Studios, Greoh Studios — if they retain strong talent relationships, they can still compete, though at a reduced pace. Co-productions between Nigerian studios and global partners may grow.
While it is certain that quality will dip, this will only be temporary — especially in production design, CGI, and casting scale. Top studios will adapt, but smaller producers will face pressure.
The market might split between ultra-low-budget films and premium titles backed by Nigerian private funding or occasional co-productions.
